February 20-22, 2026
China Painting with Bradley Klem
Registration details coming soon...
Make it a retreat and stay on property for a fully immersive experience!
Limited housing available, please contact valerie@moreanworkshopspace.org directly for availability. Cost is $150 for the weekend.
About the artist
Bradley Klem:
Environmental Impact:
What to Bring:
Bradley Klem is a Denver-based ceramic artist whose work navigates the complexities of environmental change through material inquiry and metaphor.
Klem holds an MFA from Penn State University and teaches ceramics at the University of Denver. He is a board member of La Serra Collective, a growing arts organization rooted in community an
Bradley Klem is a Denver-based ceramic artist whose work navigates the complexities of environmental change through material inquiry and metaphor.
Klem holds an MFA from Penn State University and teaches ceramics at the University of Denver. He is a board member of La Serra Collective, a growing arts organization rooted in community and sustainability. His work has been exhibited nationally and is held in private and institutional collections.
What to Bring:
Environmental Impact:
What to Bring:
We are sourcing materials now for a hands-on workshop.
We are finalizing pricing and shipping logistics.
Registration will open as soon as we have this lined up!
Environmental Impact:
Environmental Impact:
Environmental Impact:
"My work draws on the long tradition of ceramic vessels, which have symbolized sustenance and permanence across cultures and time. Today, I use these forms as a foil to the transient, petroleum-derived materials that dominate modern life.
I engage with the aesthetics of waste through a blend of beauty and confrontation. Graphic, vibrant s
"My work draws on the long tradition of ceramic vessels, which have symbolized sustenance and permanence across cultures and time. Today, I use these forms as a foil to the transient, petroleum-derived materials that dominate modern life.
I engage with the aesthetics of waste through a blend of beauty and confrontation. Graphic, vibrant surfaces draw viewers close, only to reveal imagery of petro-capitalism embedded within forms traditionally associated with care, ornament, and tradition. These vessels act as Trojan horses, quietly carrying conversations about our planetary fate."